miguel bengoa flamenco米格尔本戈亚佛兰明高

I have now written out, in tab and stave the scales based on A. Go to the “scales the notes” to find the pdf.我现在的书面指出，在标签和木板规模的基础上甲转到“级债券”来查找PDF文件。

So many people claim to be self taught guitarists.因此，很多人自称为自我教吉他手。 But in reality, few successful guitarists are self taught: everyone has a teacher, thıough Abel Carlevaro is a possible exception.但在现实中，少数成功的吉他手是自我教导：每个人都有老师， thıough阿贝尔卡雷瓦洛是一个可能的例外。 Some people have formal lessons and others, less formal lessons.有些人有正式的教训，和其他人，较不正式的教训。

Many elite guitarists had formal lessons:许多精英，吉他手了正式的经验教训：

• Tomatito? tomatito ？ Pedro Blanco (from Málaga Musical), amongst others.佩德罗布兰科（由Málaga音乐）等。
• Vicente Amigo?维森特朋友？ Manolo Sánlucar, amongst others.马诺罗sánlucar ，等。
• Deigo del Gastor? deigo删除gastor ？ Pepe Naranjo, amongst others… pepe纳兰霍，其中包括其他…

If you are living in flamenco circles you will know that while there is an element of competition between guitarists, there is also a good deal of camaraderie.如果您是住在佛兰明高界你就会知道，虽然有一个元素之间的竞争吉他手，也有一个很好的协议的友情。 These are informal lessons and most often take the form of falseta swapping but also extends to analysis of fingering and help with technique.这些都是非正式的教训和最经常采取的形式falseta交换，但也延伸到分析指法，并帮助与技术。 A guitarist that does not swap and share in this fashion will soon be known as ‘antipático’ and ‘pesetero’.一吉他手，这并不交换和共享，在此时装将很快被称为' antipático '和' pesetero ' 。

Having a teacher or living amongst this swap and share culture both inspires and puts pressure on you to be able to play your stuff properly because people will listen to it and take it apart.有一个老师或生活当中，这掉期及分享文化既振奋了压力，你必须能够发挥您的内容适当，因为人们会听它，并采取它除了。 If you do not live in this culture, then you need to find a teacher.如果你不生活在这个文化，那么你就需要找到一个老师。 None in your area?没有在您的地区？ Use the internet and nowhere better to go than Juan Ardila’s guitar2000 .利用互联网和没有更好的去比娟ardila的guitar2000 。

There are many advantages of studying online as opposed to self study:有许多好处，学习在线作为反对自我研究：

• It will help you to get rid of bad habits and/or prevent them in the first place.这将有助于你摆脱坏习惯和/或防止他们摆在首位。 Bad habits take a huge amount of perseverance, analysis and time to correct.坏习惯采取了大量的毅力，分析和时间，正确的。 I know.我知道。
• You will not learn your music thoroughly because:你不会了解你的音乐彻底，因为：
  • you will not have a target to aim for in front of you您将不会有一个目标瞄准在你面前
  • you will try to learn things that are too difficult你会尝试了解事情是太困难
  • you will not compare what you do with a falseta and what someone else can do with it.你不会比较什么，你做一个falseta什么别人可以用它做。
• You will not learn the musical language behind the music你不会了解音乐语言背后的音乐
• You will not be able to ask someone who has walked the path you are on now when you have doubts.您将无法要求别人谁已走过的路径您是在现在，当你有疑问的。
• You will not get the little, though valuable commentaries that add you your understanding of what you are aiming towards.你不会得到太少，虽然宝贵的评论认为，添加你了解你所瞄准的方向。
• You can watch as many video lessons as you like and you can watch them as many times as you like.您可以观赏，因为许多视频的教训，如你所愿，你可以观赏他们多次如你所愿。

You can see how the the guitar2000 classes work by following these links:你可以看到如何在guitar2000班工作由以下这些链接：

• Demo page 演示页
• List of lessons 名单上的经验教训

Do not believe those web pages that tell you that you will learn to play the guitar in a mere weeks.不相信这些网页告诉你，你将学习如何扮演吉他在短短几个星期。 Both flamenco and classical guitar require dedication, time and consistency.双方的佛兰明高和古典吉他需要的奉献精神，时间和一致性。 To become a very proficient guitarist, lifestyle choices have to be made - even if you are Paco de Lucía.要成为一个非常熟练的吉他手，生活方式的选择，都必须作出的-即使你是帕克德l ucía。

If you focus only on what you want to become as a player, you will miss this beautiful and fascinating journey where you learn to focus all of your mental and physical energy on this wonderful instrument you are playing.如果你只集中于你想要成为作为一名球员，你会怀念这个美丽和迷人的旅程让您了解把重点放在您所有的精神和肉体的能量对这个美好的文书您玩。 If you miss the journey, you will certainly miss your destination.如果你错过了征程中，你一定会想念您的目的地。

This first anthology was a collection of recordings of the basic flamenco forms of flamenco.这首诗集是收集的录音的基本佛兰明高形式的佛兰明高。 This intention was more difficult than might appear at first sight due to the popularity of Opera Flamenco, and its most important representative: Pepe Marchena.这用意是更加困难比可能会出现骤眼看来，由于受欢迎的歌剧佛兰明高，而其最重要的代表： pepe马切纳。 A previous attempt had been made to preserve the old traditional otherwise known as the pure, unadulterated forms.先前的尝试已经取得了维护旧传统，否则称为纯， unadulterated形式。 This attempt was made by Manuel de Falla and Federico García Lorca in their ‘concurso de cante flamenco’ in 1922.这种企图是由曼努埃尔德法雅和费德里科加西亚洛尔卡在他们的' ，关于cante佛兰明高'于1922年。 However, this competition had little effect on the growing popularity of Opera Flamenco which obliterated any other interpretation that happened to be in its path.不过，这种竞争影响不大的日益普及歌剧的佛兰明高，其中抹煞任何其他解释说，发生在它的路径。

Read the rest of this entry » 阅读其余本项目»

The inclusion of Camarón immediately after the sections on duende and voice types in flamenco is because of the revolutionary impact that he had on the flamenco world.列入camarón后，立即进行的章节duende和语音类型在佛兰明高是因为革命的影响，他对佛兰明高的世界。 Stuffy, secretive and aloof might be words used to describe some of the driest and most earnest flamencos before Camarón.混浊的，秘密和超然可能是所用的字眼来形容一些最干旱和最真诚flamencos前camarón 。 Camarón unwittingly gave flamenco a universal appeal and promoted him to a cult figure in Spanish popular culture. Read the rest of this entry » camarón无意中给佛兰明高的普遍呼吁和推动他的邪教组织的数字，在西班牙流行文化。 阅读其余本项目»

Duende duende

The flamenco singer, Manuel Torre (1909-1933), a man who was completely illiterate was eulogized by Federico Garcia Lorca as having a greater and more important culture in the blood.该佛兰明高的歌手，曼努埃尔托瑞（ 1909年至1933年） ，一名男子谁是完全不识字的是eulogized由费德里科加西亚洛尔卡具有更大和更重要的文化在血液中。 Torre had his own theory on what is known as “duende”.托瑞了他自己的理论，什么是被称为“ duende ” 。 He is reported to have said to a singer: “tu tienes vos, tu sabes los estilos, pero no triunfarás nunca, porque tú no tienes duende” (you have a good voice, you know the styles, but you will never reach the top, because you have no “duende”).他是据报，有说是一位歌手说： “涂tienes你，杜叶锡恩议员sabes洛杉矶estilos ， Pero的没有triunfarás nunca ， porque自由的没有tienes duende ” （您有一个良好的声音，你知道的风格，但你永远达不到顶端，因为你没有“ duende ” ） 。 The same man, Manuel Torre, is also reputed to have said:-同样的男子，曼努埃尔托瑞，亦是被誉为说： -

”In the “ cante jondo”, the singer always has to look for “duende”, until he finds it in the blackness of the Faraohs” (Historia del cante flamenco, p.171).” “在” 慢的大调 “ ，歌手总是要寻找” duende “ ，直到他发现，它在黑的faraohs ” （历史删除cante佛兰明高，临171 ） “ 。

Another time, after hearing Manuel de Falla Read the rest of this entry »还有一次，听完曼努埃尔德法雅阅读其余本项目»