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	<title>miguel bengoa flamenco &#187; Tangos</title>
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	<link>http://miguelbengoa.com</link>
	<description>Flamenco and flamenco guitar.</description>
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		<item>
		<title>elementary &#8211; rhythmic structures of the main &#8220;palos&#8221; (flamenco forms)</title>
		<link>http://miguelbengoa.com/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/</link>
		<comments>http://miguelbengoa.com/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/#comments</comments>
		<pubDate>Sat, 15 Dec 2007 08:41:17 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[AlegrÃ­a]]></category>
		<category><![CDATA[BulerÃ­a]]></category>
		<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[Tientos]]></category>
		<category><![CDATA[classes]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/</guid>
		<description><![CDATA[How can you start learning the rhythmic forms of flamenco? Start counting. Count the beats out loud, or in your head. Do it in any language you like, the idea is to start to develop a feel for the accents sub-consciously. It will help if you tap your foot, click your fingers or tap your [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>elementary &#8211; tangos and abÃ¡nico</title>
		<link>http://miguelbengoa.com/2007/11/25/lesson-two-tangos/</link>
		<comments>http://miguelbengoa.com/2007/11/25/lesson-two-tangos/#comments</comments>
		<pubDate>Sun, 25 Nov 2007 18:23:29 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[AbÃ¡nico]]></category>
		<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/11/25/lesson-two-tangos/</guid>
		<description><![CDATA[This tangos introduces thumb and index work and the thumb to play simple compÃ¡s as well as the abÃ¡nico technique. Practise dead slowly, as always because speed will come alone. The focus here is to stay in compÃ¡s and keep everything even and clean. The fingering for the abÃ¡nico can be found with the other [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/11/25/lesson-two-tangos/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>elementary: starting with rasgueados and thumb</title>
		<link>http://miguelbengoa.com/2007/11/11/lesson-one/</link>
		<comments>http://miguelbengoa.com/2007/11/11/lesson-one/#comments</comments>
		<pubDate>Sun, 11 Nov 2007 14:49:45 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[classes]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[thumb]]></category>

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		<description><![CDATA[Here is the first lesson. The &#8220;palo&#8221; is called &#8220;tangos&#8221; and there is no relationship with the Argentinian song and dance form. In this lesson we will look at basic rasgueados and some thumb techniques. You can find some exercises and advice for rasgueados here and for thumb work here. You will see that there [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/11/11/lesson-one/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tangos improvisation</title>
		<link>http://miguelbengoa.com/2007/05/27/tangos-improvisation/</link>
		<comments>http://miguelbengoa.com/2007/05/27/tangos-improvisation/#comments</comments>
		<pubDate>Sun, 27 May 2007 15:57:05 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[AlzapÃºa]]></category>
		<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[picado]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/05/27/tangos-improvisation/</guid>
		<description><![CDATA[Here is a tangos that features a Solo Compas backing track. I have been practising picado recently and here are the results. Of course, still lots of work to do with respect to technique, but the practice is paying off, slowly but surely! There is also a new alzapÃºa falseta that I came up with [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/05/27/tangos-improvisation/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tangos compÃ¡s</title>
		<link>http://miguelbengoa.com/2007/04/01/tangos-compas/</link>
		<comments>http://miguelbengoa.com/2007/04/01/tangos-compas/#comments</comments>
		<pubDate>Sun, 01 Apr 2007 12:14:13 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Tangos]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/04/01/tangos-compas/</guid>
		<description><![CDATA[This week I am back to recording and study. This recording follows the great meeting I had on Friday night with Ã‡engizhan. Another flamenco fan, he has been playing for many a long year. Unfortunately, as with many guitar players who have never visited Andalucia, he has never accompanied cante. So we struck a deal, [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/04/01/tangos-compas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tangos with cajÃ³n and palmas</title>
		<link>http://miguelbengoa.com/2007/02/09/tangos-with-cajon-and-palmas/</link>
		<comments>http://miguelbengoa.com/2007/02/09/tangos-with-cajon-and-palmas/#comments</comments>
		<pubDate>Fri, 09 Feb 2007 10:14:35 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[cajÃ³n]]></category>
		<category><![CDATA[falseta]]></category>
		<category><![CDATA[palmas]]></category>
		<category><![CDATA[Tangos]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/?p=67</guid>
		<description><![CDATA[Recently I got an email asking if I would be interested in recording any more rhythm tracks apart from bulerÃ­a and soleÃ¡ already done. Here is a part of the mail: I spent in vain hours on the net to find realistic -natural and beautiful sound- palmas, something else than those awful synthetic metronome clapping [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/02/09/tangos-with-cajon-and-palmas/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Short videos</title>
		<link>http://miguelbengoa.com/2007/01/31/short-videos/</link>
		<comments>http://miguelbengoa.com/2007/01/31/short-videos/#comments</comments>
		<pubDate>Wed, 31 Jan 2007 11:27:30 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Techniques]]></category>
		<category><![CDATA[AlzapÃºa]]></category>
		<category><![CDATA[BulerÃ­a]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[Tangos]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/?p=64</guid>
		<description><![CDATA[Short videos of alzapÃºa, bulerÃ­a, soleÃ¡, tangos and alegrÃ­a.]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/01/31/short-videos/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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