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	<title>Flamenco guitar &#187; Rasgueado</title>
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	<link>http://miguelbengoa.com</link>
	<description>Retraining and relearning to play guitar</description>
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	<copyright>Copyright &#xA9; Flamenco guitar 2011 </copyright>
	<managingEditor>mabengoetxea@gmail.com (Flamenco guitar)</managingEditor>
	<webMaster>mabengoetxea@gmail.com (Flamenco guitar)</webMaster>
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	<itunes:summary>Just another WordPress site</itunes:summary>
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	<itunes:category text="Society &#38; Culture" />
	<itunes:author>Flamenco guitar</itunes:author>
	<itunes:owner>
		<itunes:name>Flamenco guitar</itunes:name>
		<itunes:email>mabengoetxea@gmail.com</itunes:email>
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		<item>
		<title>elementary &#8211; soleá 3</title>
		<link>http://miguelbengoa.com/practice/elementary-solea-3/</link>
		<comments>http://miguelbengoa.com/practice/elementary-solea-3/#comments</comments>
		<pubDate>Sun, 06 Jan 2008 12:31:07 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Compás]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[Soleá]]></category>
		<category><![CDATA[classes]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[thumb]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2008/01/06/elementary-solea-3/</guid>
		<description><![CDATA[Here is the final installment of our soleá. There are four rasgueado exercises that form the basic soleá rasgueados. More details about these are given in the newly updated rasgueado page.You can download the pdf here: 
At the top of the page I have shown some simple chords that are most often used for this [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>elementary &#8211; tangos and abánico</title>
		<link>http://miguelbengoa.com/flamenco-guitar-techniques/abanico/lesson-two-tangos/</link>
		<comments>http://miguelbengoa.com/flamenco-guitar-techniques/abanico/lesson-two-tangos/#comments</comments>
		<pubDate>Sun, 25 Nov 2007 18:23:29 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Abánico]]></category>
		<category><![CDATA[Compás]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/11/25/lesson-two-tangos/</guid>
		<description><![CDATA[This tangos introduces thumb and index work and the thumb to play simple compás as well as the abánico technique.
Practise dead slowly, as always because speed will come alone. The focus here is to stay in compás and keep everything even and clean.
The fingering for the abánico can be found with the other rasgueado exercises [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<itunes:subtitle>This tangos introduces thumb and index work and the thumb to play simple compás as well as the abánico technique.
Practise dead slowly, as always because speed will come alone. The focus here is to stay in compás and keep everything even and clean.
[...]</itunes:subtitle>
		<itunes:summary>This tangos introduces thumb and index work and the thumb to play simple compás as well as the abánico technique.
Practise dead slowly, as always because speed will come alone. The focus here is to stay in compás and keep everything even and clean.
The fingering for the abánico can be found with the other rasgueado exercises here. The abánco is shown in numbers &#8220;e&#8221; and &#8220;f&#8221; on that page.
page one</itunes:summary>
		<itunes:keywords>Abánico, Compás, Rasgueado, Tangos</itunes:keywords>
		<itunes:author>mabengoetxea@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
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		<item>
		<title>elementary: starting with rasgueados and thumb</title>
		<link>http://miguelbengoa.com/toques/compas/lesson-one/</link>
		<comments>http://miguelbengoa.com/toques/compas/lesson-one/#comments</comments>
		<pubDate>Sun, 11 Nov 2007 14:49:45 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Compás]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[classes]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[thumb]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/11/11/lesson-one/</guid>
		<description><![CDATA[The &#8220;palo&#8221; is called &#8220;tangos&#8221;.
In this lesson we will look at basic rasgueados and some thumb techniques. You can find some exercises and advice for rasgueados here and for thumb work here.
You will see that there are two mp3 recordings. One features guitar and the other is palms and cajón. When you practise, always play [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<itunes:duration>0:01:19</itunes:duration>
		<itunes:subtitle>The &#8220;palo&#8221; is called &#8220;tangos&#8221;.
In this lesson we will look at basic rasgueados and some thumb techniques. You can find some exercises and advice for rasgueados here and for thumb work here.
You will see that there are two mp3[...]</itunes:subtitle>
		<itunes:summary>The &#8220;palo&#8221; is called &#8220;tangos&#8221;.
In this lesson we will look at basic rasgueados and some thumb techniques. You can find some exercises and advice for rasgueados here and for thumb work here.
You will see that there are two mp3 recordings. One features guitar and the other is palms and cajón. When you practise, always play to a metronome or a rhythm track to help you develop a feel for the compás.
Here is the tablature:
 page one
 page two
You will notice that the tablature is divided into four sections: A, B, C and D.
Section A 
This section is repeated. The first time there is no &#8216;golpe&#8217; on the sound board, and the second time there is. The aim here is to practise both using and not using the percussive &#8216;golpe&#8217;.
Every rasgueado in this section is played using &#8216;i&#8217; only (index finger). Don&#8217;t be fooled into thinking that this is too easy to practise. Later on, this extension practice will serve you well for other techniques and palos.
Section B
Here, the first beat of every measure is still silence. The third beat features a new rasgueado: the three (or four) finger rasgueado. I prefer the three finger rasgueado that is played using only the a-m-i fingers. The four finger rasgueado uses the little finger as well.
Section C
In this section, there are variations to the previous section with a more developed rasgueado technique and a little &#8216;cierre&#8217; or close at the end.
Section D
Here, simple thumb technique is introduced which alternates with the single finger rasgueados. See the above link to find some exercises and advice on thumb work.
The last but one measure features a thumb up and down stroke, played in triplets. This is known as &#8216;alzapúa&#8217;.
. See the thumb link for more help on playing this technique.
Happy practising and I shall be back in two week2s time for another instalment.</itunes:summary>
		<itunes:keywords>Compás, Tangos</itunes:keywords>
		<itunes:author>mabengoetxea@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>rasgueados</title>
		<link>http://miguelbengoa.com/technique/rasgueado/</link>
		<comments>http://miguelbengoa.com/technique/rasgueado/#comments</comments>
		<pubDate>Mon, 02 Apr 2007 15:11:41 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Flamenco]]></category>
		<category><![CDATA[flamenco technique]]></category>
		<category><![CDATA[metronome]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[tablature]]></category>
		<category><![CDATA[toque]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/rasgueado/</guid>
		<description><![CDATA[This is what makes flamenco what it is. Here are some ideas to help you start to develop your rasgueado.

Rasgueado is a percussive effect, so hit, don&#8217;t strum the strings. You are not playing folk guitar around the camp fire now  !
Aim for the E&#8217; string, even if you are playing all six strings.
Do [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/technique/rasgueado/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Alegría compás</title>
		<link>http://miguelbengoa.com/toques/alegria/alegria-compas/</link>
		<comments>http://miguelbengoa.com/toques/alegria/alegria-compas/#comments</comments>
		<pubDate>Sun, 01 Apr 2007 12:27:29 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[Alegría]]></category>
		<category><![CDATA[Compás]]></category>
		<category><![CDATA[Rasgueado]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/04/01/alegria-compas/</guid>
		<description><![CDATA[Nearly everything consists of rasgueados and a couple of very short falsetas. You will notice that the compás (featuring cajón, palmas and jaleo) is excellently done. This is not my work, but a track that I have used from the excellent series of cds called &#8220;Solo Compás&#8221;.
]]></description>
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		<slash:comments>3</slash:comments>
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