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	<title>miguel bengoa flamenco &#187; SoleÃ¡</title>
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	<link>http://miguelbengoa.com</link>
	<description>Flamenco and flamenco guitar.</description>
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		<item>
		<title>elementary &#8211; soleÃ¡ 3</title>
		<link>http://miguelbengoa.com/2008/01/06/elementary-solea-3/</link>
		<comments>http://miguelbengoa.com/2008/01/06/elementary-solea-3/#comments</comments>
		<pubDate>Sun, 06 Jan 2008 12:31:07 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[Rasgueado]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[classes]]></category>
		<category><![CDATA[thumb]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2008/01/06/elementary-solea-3/</guid>
		<description><![CDATA[Here is the final installment of our soleÃ¡. There are four rasgueado exercises that form the basic soleÃ¡ rasgueados. More details about these are given in the newly updated rasgueado page.You can download the pdf here: At the top of the page I have shown some simple chords that are most often used for this [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>elementary &#8211; soleÃ¡ 2</title>
		<link>http://miguelbengoa.com/2007/12/16/elementary-solea-2/</link>
		<comments>http://miguelbengoa.com/2007/12/16/elementary-solea-2/#comments</comments>
		<pubDate>Sun, 16 Dec 2007 10:37:06 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[apoyando]]></category>
		<category><![CDATA[classes]]></category>
		<category><![CDATA[thumb]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/12/16/elementary-solea-2/</guid>
		<description><![CDATA[Here is our second installment of soleÃ¡. Another fundamental part of the guitarists&#8217; repetoire. The cierre (cadence or closure) is from Manuel Granados &#8211; more about this incredible man in later posts. The thumb plays apoyando throughout. Watch that you keep that compÃ¡s steady. There is a great temptation to accelerate. Practice with a metronome. [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/12/16/elementary-solea-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>elementary &#8211; soleÃ¡ 1</title>
		<link>http://miguelbengoa.com/2007/12/16/elementary-solea/</link>
		<comments>http://miguelbengoa.com/2007/12/16/elementary-solea/#comments</comments>
		<pubDate>Sun, 16 Dec 2007 10:04:26 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[apoyando]]></category>
		<category><![CDATA[classes]]></category>
		<category><![CDATA[thumb]]></category>
		<category><![CDATA[tirando]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/12/16/elementary-solea/</guid>
		<description><![CDATA[This lesson introduces the soleÃ¡ with the most simple of melodies. This melody, played only with the thumb is a fundamental part of the guitar repertoire. Although easy to play there are some important things to consider. Keep in compÃ¡s. Every note should sound with identical volume, except those that you accentuate as part of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>elementary &#8211; rhythmic structures of the main &#8220;palos&#8221; (flamenco forms)</title>
		<link>http://miguelbengoa.com/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/</link>
		<comments>http://miguelbengoa.com/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/#comments</comments>
		<pubDate>Sat, 15 Dec 2007 08:41:17 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[AlegrÃ­a]]></category>
		<category><![CDATA[BulerÃ­a]]></category>
		<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[Practice]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[Tangos]]></category>
		<category><![CDATA[Tientos]]></category>
		<category><![CDATA[classes]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/</guid>
		<description><![CDATA[How can you start learning the rhythmic forms of flamenco? Start counting. Count the beats out loud, or in your head. Do it in any language you like, the idea is to start to develop a feel for the accents sub-consciously. It will help if you tap your foot, click your fingers or tap your [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/12/15/elementary-rhythmic-structures-of-the-main-palos-flamenco-forms/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Rasgueado exercise for soleÃ¡ por medio</title>
		<link>http://miguelbengoa.com/2007/07/09/compas-for-solea-por-buleria/</link>
		<comments>http://miguelbengoa.com/2007/07/09/compas-for-solea-por-buleria/#comments</comments>
		<pubDate>Mon, 09 Jul 2007 17:31:46 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[cajÃ³n]]></category>
		<category><![CDATA[exercise]]></category>
		<category><![CDATA[palmas]]></category>
		<category><![CDATA[Rasgueado]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/07/09/compas-for-solea-por-buleria/</guid>
		<description><![CDATA[After a long absence, here is a post in response to two questions. Firstly, &#8220;what is soleÃ¡ por bulerÃ­a&#8221; and the second a request for help with compÃ¡s. This recording is an exercise for soleÃ¡ por medio using rasgueados alone. It is very simple and the idea is to develop evenness of individual finger strokes [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/07/09/compas-for-solea-por-buleria/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Exercise for soleÃ¡ for alzapÃºa and arpeggios.</title>
		<link>http://miguelbengoa.com/2007/04/24/exercise-for-solea-for-alzapua-and-arpeggios/</link>
		<comments>http://miguelbengoa.com/2007/04/24/exercise-for-solea-for-alzapua-and-arpeggios/#comments</comments>
		<pubDate>Tue, 24 Apr 2007 14:47:09 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[AlzapÃºa]]></category>
		<category><![CDATA[CompÃ¡s]]></category>
		<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[arpeggios]]></category>
		<category><![CDATA[tablature]]></category>
		<category><![CDATA[thumb]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/2007/04/24/exercise-for-solea-for-alzapua-and-arpeggios/</guid>
		<description><![CDATA[Here it is, after far too long, is some music for you. It is, after all the purpose of the site. Continue reading, using the link below to hear the mp3. This soleÃ¡ is por medio and the cejilla is on the fourth fret. It is really a technical exercise, but with some very useful [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/04/24/exercise-for-solea-for-alzapua-and-arpeggios/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SoleÃ¡ por arriba &#8211; basic arpeggios</title>
		<link>http://miguelbengoa.com/2007/01/05/solea-por-arriba-basic-arpeggios/</link>
		<comments>http://miguelbengoa.com/2007/01/05/solea-por-arriba-basic-arpeggios/#comments</comments>
		<pubDate>Fri, 05 Jan 2007 13:36:03 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[arpeggios]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/?p=40</guid>
		<description><![CDATA[Here is an example of a soleÃ¡ por arriba. Once again, the recording is very short, the intention is to only to show the basic arpeggios &#8211; and to get my execution of them more even and clear. SoleÃ¡ por arriba refers to a soleÃ¡ played using the chords of mi and fa mayor (in [...]]]></description>
		<wfw:commentRss>http://miguelbengoa.com/2007/01/05/solea-por-arriba-basic-arpeggios/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>SoleÃ¡ por medio</title>
		<link>http://miguelbengoa.com/2006/12/17/solea-por-medio/</link>
		<comments>http://miguelbengoa.com/2006/12/17/solea-por-medio/#comments</comments>
		<pubDate>Sun, 17 Dec 2006 10:10:53 +0000</pubDate>
		<dc:creator>miguel</dc:creator>
				<category><![CDATA[SoleÃ¡]]></category>
		<category><![CDATA[Techniques]]></category>
		<category><![CDATA[arpeggios]]></category>
		<category><![CDATA[CompÃ¡s]]></category>

		<guid isPermaLink="false">http://miguelbengoa.com/wordpress/?p=29</guid>
		<description><![CDATA[Here is a short recording of the basic compÃ¡s and falsetas. I have recorded the guitar playing solo, the guitar with percussion and both together. Getting the arpeggios clean and strong requires some work, and there is still some for me to do. SoleÃ¡ is often referred to as the mother of flamenco. This is [...]]]></description>
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		<slash:comments>9</slash:comments>
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