Flamenco guitar Blog

Author Archives: miguel

Las Alegrías/Cantiñas

Originally, the word cantiña referred to any popular song: Cantinear, or canturrear, means to hum along to. It was originally a word used to denominate medieval songs from Galicia in northern Spain. The word is though to have arrived at Cádiz shipboard, where it was adopted by the local gaditanos (natives of Cádiz). Whether the [...]

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BBC Musicality Test

The BBC Musicality Test divides musicality into five parts:

musical perception
emotional connection
social creativity
musical curiosity
enthusiasm for music

Try the test here: https://www.bbc.co.uk/labuk/experiments/musicality/
My scores and results were these:
musical perception: 86%
Your ‘Enthusiasm for Music’ score shows how important music is to you in your daily life. It also indicates how much time and money you devote to music.
You scored high [...]

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TSFD: retraining the body

These strategies are in no order of importance.
The body

Important Disclaimer
Please note that these ideas are a result of my own thinking and what I have learned about my own Task Specific Focal Dystonia.
The process of thinking about and understanding  TSFD is by no means finished. By extension, these strategies are an unfinished work and will [...]

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TSFD: retraining and playing.

These strategies are in no order of importance.
The instrument & execution

Important Disclaimer
Please note that these ideas are a result of my own thinking and what I have learned about my own Task Specific Focal Dystonia.
The process of thinking about and understanding  TSFD is by no means finished. By extension, these strategies are an unfinished work [...]

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TSFD: Retraining the mind

These strategies are in no order of importance.
The mind (and the heart)

Important Disclaimer
Please note that these ideas are a result of my own thinking and what I have learned about my own Task Specific Focal Dystonia.
The process of thinking about and understanding  TSFD is by no means finished. By extension, these strategies are an unfinished [...]

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Task Specific Focal Dystonia: my examples

This post is the fifth in the series “Task Specific Focal Dystonia” .  The first was my discovery of the syndrome. Next came a very short selection of some of the literature that I read – I spent weeks searching for scientific and medical literature as well as first hand accounts. Other frst hand accounts [...]

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Dr. Joaquin Farias

Here is the  testimonial Iwrote for Joaquin Farias at www.focaldystonia.net/.
Dr. Joaquin Farias is highly competent, highly educated and an extremely good listener. Not only clear, logical and open-minded: he was a paradigm of discretion. I immediately felt relaxed in his presence despite knowing that my playing had totally collapsed.
My initial fears that these seminars might [...]

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Discovering Task Specific Focal Dystonia

In eight hours of one to one seminars I learned more about me and my music playing than in thirty years of actually playing. And some of those thirty years were as a professional musician.
Before my visit, I knew that there was something wrong. I was practising morning and evening. I was concentrating on relaxation, breathing and good posture. I was [...]

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Task Specific Focal Dystonia – literature

In order to further understand Focal Dystonia I have scoured the web.  There is some carefully written literature on the subject as well as practitioners that offer help with the syndrome. To assist my own understanding I have selected the most relevant of the resources on the and provided a summary of the work [...]

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Task Specific Focal Dystonia

I have been diagnosed with Focal Dystonia and after spending hours and hours researching I agree with the diagnosis.
Essentially, focal dystonia is an involuntary movement of one or more fingers. In short, I cannot play and have not been able to play for a considerable amount of time. Despite all efforts (and considerable efforts) to [...]

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Soleares

The soleá or soleares is often referred to as the “mother of flamenco”. Although not strictly true from a historical point of view, the soleá does form the basis from which many other palos have developed. Without the soleá, forms such as alegría and bulería would not have come into existence – all share the [...]

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El Polo y La Caña

An introduction the Polo and Caña is illustrated with literary references, amongst the first ever references to flamenco. There is also video and the featured artists are Curro Lucena with Manolo Franco and Arcángel with Miguel Cortés.

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Flamenco Joven

Flamenco Joven is for me characterized by a move away from a music that is rooted in folklore. By rooted in folklore, I mean rooted in a particular folk dogma, fossilized and frozen in a time and context that is not the here and now.
Flamenco Joven appears to have changed all that,

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Bienial de Sevilla

The first Bienial was celebrated  in 1980, twenty years ago. It is the most prestigious and largest flamenco festival in the world.
In 1994, it lasted 18 days and consisted of over 30 performances, costing over 100.000.000 (£500.000) according to El Pais (10/09/94).

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Los Concursos

I attended many flamenco competitions during time accompanying Gabriel Cabrera on his work schedule as flamenco guitarist.
Initially, my first impression was that a whole series of influences tend to water down the authenticity of competitions, such as small non-representative turn-outs, local favoritism, private business interests, possible inadequacy of judges and the very idea of flamenco [...]

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Flamencology

In 1955 Flamencologia was published by the Argentine Anselmo Gonzalez Climent. Before this there is hardly any book on the subject in existence. With the exception of XIX century travellers such as Richard Ford and George Borrows, the only books published before 1955 were: Colección de cantes flamencos by Demofilo (1881) and Arte y artistas [...]

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Peñas Flamencas

Literally translated, the peñas flamencas are flamenco clubs. However, they are much more than that. Their aim is to promote flamenco and to educate those who are interested in learning more.

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Los Tablaos

Similar to the older Cafe Cantantes, the tablaos are establishments which first flourished in the 1950s. All offer drinks and many now double up as restaurants.
The first ever was La Zambra and even twenty years after its closure, La Zambra remains famous for having offered the most “pure” and authentic flamenco.

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Antiflamenquismo – the anti-flamenco movement

“Flamenquismo” is defined by the Real Academia Española as a love for flamenco customs. This term covers both flamenco and a love of bullfighting or other activity considered “typically Spanish”.  These traditions were sharply criticized by the group of writers and intellectuals known as the Generación del 98. Exceptions to the general criticism of the [...]

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Café Cantantes

The cafés cantantes were places where the spectators could drink whilst they enjoyed the flamenco shows. These places were most popular between approximately the middle of the 19th century to the second decade of the twentieth.

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  • Photos

    2011 Guernika
    Yes - this is the entrance to the Viscaya Parliament!